HAVE A NICE LIFE DEATHCONSCIOUSNESS TRIAL
Long foot-notes, poor poetry, and efforts to sound professional all end up making the book a trial more than a joy. Some of the stories in the book are genuinely frightening and left an impression on me, but the pseudo-academic posturing that makes up the majority of the book is absolutely unnecessary. At first the book is ponderous and seems completely unnecessary, but reading it while listening to the album proved to be exciting at times. This sect apparently left behind a number of oral and written fragments that tell the story of a horrifying prophet who praised nihilism and preached a philosophy of suicide and murder. The book focuses on the history of a fictional religious sect centered around the person of Antiochus. Whoever wrote that 70 page document needs to be slapped for being too dull, too often. There are several details that keep the album from being a complete success, however. But on the whole the under-produced aesthetic works perfectly for the music. The production can be mildly aggravating, however, and sometimes it detracts from the strong melodies and lyrics more than it should.
Their voices are often anxious and thirsty, maybe even overly emotive, but the intensity of their deliveries matches the music's fevered pitch perfectly.
The group will often focus on texture more than melody, but never at the expense of a strong melodic center. Bits of staccato guitar meet with noise solos, buried vocal mumblings, persistent percussion, and lo-fi stereo confusion to produce everything from meditative non-songs ("Hunter") to feverish rock 'n' roll ("Waiting for Black Metal Records.") and acoustic balladry with cheap drum loops ("Holy Fucking Shit: 40,000"). They protract the basic rock template and add a healthy dose of atmospheric sound effects and synthesizer leads not unlike those you'd expect to hear from an anthemic 80s opus. Have a Nice Life combine the brute force of thundering drums with hazy, fuzzed out guitar lines, lead melodies played out on the bass, and emotive, almost yearning vocals. A lot of work clearly went into putting this whole thing together, but figuring out how all the pieces fit is more difficult than it should be.ĭespite the mixed messages the liner notes inspire, the music is varied, smart, and wonderfully dark. I am suspicious that the book could be a ruse meant to cover up the fact that all of these songs are intensely personal, but the lengths to which this duo went to cover that fact up is fairly astonishing. Whether or not the book has anything to do with the album is questionable while direct lines can be drawn between the text in the book and the lyrics to some of the songs, it isn't clear which of the two came first. In addition to these odd contrasts, the band has gone through the trouble of producing a 70 page accompanying book supposedly written by a professor of religious anthropology and history at the University of Massachusetts, Amherst. Yet, despite all these severe devices, the band's name is Have a Nice Life and they title their songs like they're jokes: "Waiting for Black Metal Records to Come in the Mail" and "Holy Fucking Shit: 40,000" are perfect examples. The music itself is filled with sizzling guitars, massive and repetitive rhythms, echoing synthesizer effects, and dramatic melodies, both vigilant and resigned, that give the album an epic scope. The lyrics are not poetic nor are they sophisticated, but they aren't angst-ridden contrivances, either and they suit the macabre nature of the music very well.
Organized as two distinct albums, Deathconsciousness is a sprawling record filled with suggestive lyrics about desperation, nihilism, failure, suffering, and the inescapable progress of time. The music is excellent, but making sense of the rest of this monstrosity isn't easy. Composed over a five year period, Deathconsciousness was produced with only the most basic equipment, is accompanied by a 70 page booklet describing a dead religion, and features cover art ripped right from Jacques-Louis David's overtly political masterpiece, La Mort de Marat. Tim Macuga and Dan Barrett's musical project is as much an ambitious and frustrating piece of conceptual art as it is a crushing and soaring rock record.
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